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DRAMATIS PERSONÆ.
Contents:
  1. Mozart: Le Nozze di Figaro / Marcolini Quartet
  2. Mozart Susanna - download free sheet music and scores
  3. "Susanna or via sortite", No. 13 from "Le Nozze di Figaro", Act 2, K49 | Sheet Music Now
  4. Get PDF Susanna or via sortite, No. 13 from Le Nozze di Figaro, Act 2, K492 (Full Score)

Recitativo: "Basilio, in traccia tosto di Figaro".

Coro: "Giovani liete, fiori spargete". Recitativo: "Evviva! Act 2. Cavatina: "Porgi, amor, qualche ristoro".

Mozart: Le Nozze di Figaro / Marcolini Quartet

Recitativo: "Vieni, cara Susanna". Recitativo: "Bravo! Che bella voce!


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Aria: "Venite, inginocchiatevi". Gesamtspielzeit: Recitativo: "Quante buffonerie! Non fu mai vostra usanza". Terzetto: "Susanna, or via, sortite". Recitativo: "Dunque, voi non aprite? Duettino: "Aprite, presto, aprite". Recitativo: "Oh guarda il demonietto". Christiane Karg, Jory Vinikour. Finale "Esci omai, garzon malnato". Act 3. Duettino: "Crudel! Thomas Hampson, Jory Vinikour. Sestetto: "Riconosci in questo amplesso". Recitativo: "Eccovi, o caro amico". Recitativo: "Andiamo, andiam, bel paggio".


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Recitativo ed aria "E Susanna non vien! Sonya Yoncheva, Jory Vinikour. Recitativo: "Io vi dico, signor". Duettino: "Su l'aria " - "Che soave zeffiretto". Coro: "Ricevete, o padroncina". Vocalensemble Rastatt. Recitativo: "Queste sono, madama, le ragazze del loco" "Eh cospettaccio! Finale "Ecco la marcia andiamo". Allegretto - "Amanti costanti". Recitativo: "Andate, amici". Act 4. Cavatina: "L'ho perduta, me meschina! Recitativo: "Barbarina, cos'hai? Anne Sofie von Otter, Jory Vinikour.

Mozart Susanna - download free sheet music and scores

Aria: "Il capro e la capretta". Aria: "In quegli anni in cui val poco". Recitativo ed Aria "Giunse alfin il momento". Recitativo: "Perfida! English German French Luxuriously presented and cast. You are in his safe hands the moment Mozart's upstairs-downstairs comedy kicks off, the Chamber Orchestra of Europe buoyant, textures balanced, colours vibrant.

Sonya Yoncheva's magnificently melancholic Countess is a peach of a performance, lusciously, dreamily sung. Luca Pisaroni is an experienced Figaro and his velvety baritone is smoothly delivered. A great musical mediator. All in all, this is a solid cast. This emphatically is not a dainty, tempest-in-a-teacup performance, however: Mozart's, librettist Lorenzo da Ponte's, and playwright Pierre-Augustin Caron de Beaumarchais's drama surges from these discs, every sigh, smile, and stress vividly, lovingly brought to life.

There is ample proof ripe for the hearing in this recording, which in terms of singing, conducting, and unwavering fidelity to the composer's genius is a concoction fit for the most gluttonous Mozart appetites. The casting is optimal for Figaro -- Luca Pisaroni, the finest on disc for his relish of the text. Her Act IV aria is a highlight.

Angela Brower is an enjoyable Cherubino.

Susanna or via sortite- Trio act 2 (Le Nozze di Figaro)

The ensembles zing. Pisaroni creates one of the most spot-on, lovable Figaros you are likely to encounter on disc. It's a marvelous performance on every level.

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If I remember nothing else from this recording that scene will forever be etched into my memory. Vocally there is a lot to remember here: the glittering Susanna of Christiane Karg, the marvellously detailed and expressive Marcellina of Anne Sofie von Otter. Luca Pisaroni, Figaro, has a fine voice and is expressive with words.

"Susanna or via sortite", No. 13 from "Le Nozze di Figaro", Act 2, K49 | Sheet Music Now

Verbally and expressively he is masterly. The scene with Susanna at the beginning of act III and his big aria that follows constitute a high-spot in this recording. August The Chamber Orchestra of Europe is marvelous -- the strings silky but capable of sharp-edged attacks, the winds alternately spicy and sweet, and their ensemble work impeccable. This latest release is no exception.

Christiane Karg as Susanna and Luca Pisaroni make an ideal pair in this performance, with especially impressive warm and solid low notes from Karg in the aria "Deh vieni non tardar. The most striking quality of this "Figaro" is the transparency of the orchestral sound, enabled by DG's use of multiple, closely placed mics.

It features a stellar cast. Christiane Karg proves a lively lynchpin as Susanna, her performance alert and bright. The same can be said of Luca Pisaroni, whose baritone is lithe and characterful.


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Thomas Hampson proves he still has plenty of voice, and his Conte sounds duly amorous, confused and menacing in turn. Sonya Yoncheva turns in a grand Contessa. Maurizio Muraro hits just the right note as Bartolo. The COE play beautifully. Pisaroni's dark-toned Figaro is dangerous in "Se vuol ballare", bitter in "Aprite un po' quelgi occhi".

As Susanna, Karg moves effortlessly from the spirited girl of Act 1 -- there's some delightfully playful decoration to the last phrases of the second duet -- to a tender, womanly account of "Deh vieni".

Get PDF Susanna or via sortite, No. 13 from Le Nozze di Figaro, Act 2, K492 (Full Score)

She blends perfectly with the Countess in the Letter Duet. Alfin di che si tratta? Al Signor Conte piace la sposa mia. Non vi basta, che scherzando io ci pensi? Ecco il progetto. Aspetta; al Conte farai subito dir, che verso sera attendati in giardino; il picciol Cherubino, per mio consiglio non ancor partito, da femmina vestito, faremo che in sua vece ivi sen vada. Quanto duolmi, Susanna, che questo giovinetto abbia del Conte le stravaganze udito! Eccola appunto, facciam che si la canti. Via presio la canzone, che stamane a me deste—a madama cantate.

Enter Susanna. Your modern husbands all act in this fashion. They are on system faithless, changeful from disposition, while from their pride, child, they are no less jealous. But, if Figaro loves thee, by his assistance—. Enter Figaro, singing. Contented; so be it. Trust me, there is no better way.